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Images of violent black masculinity are not new in American culture, but in the late 1980s and early '90s, the social and economic climate in the country contributed to an unprecedented number of films about ghetto life. And while Hollywood reaped financial gains from these depictions, the rest of the country saw an ever widening 'opportunity gap' between marginalized groups and mainstream society, as well as an increase in juvenile violence. These events added to the existing discomfort of the viewing public with representations of young black males living in urban ghettos.
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Cinephilia and History, or The Wind in the Trees is in part a history of cinephilia, in part an attempt to recapture the spirit of cinephilia for the discipline of film studies, and in part an experiment in cinephilic writing.Cinephiles have regularly fetishized contingent, marginal details in the motion picture image: the gesture of a hand, the wind in the trees. Christian Keathley demonstrates that the spectatorial tendency that produces such cinematic encounters -- a viewing practice marked b
Motion pictures. --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- History and criticism
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Focusing on the diversity of the role of music in cinema, this title emphasizes on musical contributions to 'non-musical' films. Aimed at students of film studies, cultural studies and music, it explores the relationship between performance, music and film as well as the specificity of national, historical, social and cultural contexts.
Motion picture music --- Motion pictures and music. --- Moving-pictures and music --- Music and motion pictures --- Music --- History and criticism.
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Reconstructing American Historical Cinema explores Hollywood's pivotal interpretations of national history during the height of the studio system. In a radical departure from traditional studies of film and history, J. E. Smyth looks at rarely discussed production records and scripts from studio archives, arguing that certain classical Hollywood filmmakers were actively engaged in a self-conscious and often critical filmic writing of national history. Her unique approach unites the study of popular and academic historical writing, historical fiction, and screenwriting, providing a rich cont
Motion pictures and history. --- Historical films --- History and motion pictures --- Moving-pictures and history --- History --- History and criticism.
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Film and Sexual Politics: A Critical Reader features a variety of noteworthy critical essays that explore the evolution, representation, and social construction of sex, gender, and sexual orientation from the early days of cinema to the early twenty-first century. This collection investigates the complex relations between film form/style and sexual politics (past and present), as well as the ideological and social ramifications of those relations for the lived realities of individuals in th...
Sex in motion pictures. --- Sex role in motion pictures. --- Motion pictures --- Sex in moving-pictures --- Erotic films --- Pornographic films
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New European Cinema offers a compelling response to the changing cultural shapes of Europe, charting political, aesthetic, and historical developments through innovative readings of some of the most popular and influential European films of the 1990's. Made around the time of the revolutions of 1989 but set in post-World War II Europe, these films grapple with the reunification of Germany, the disintegration of the Balkans, and a growing sense of historical loss and disenchantment felt across the continent. They represent a period in which national borders became blurred and the events
Motion pictures --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- History and criticism
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Lúcia Nagib here presents the first comprehensive critical survey of Brazilian film production since the mid-1990s, which has become known as the "Renaissance of Brazilian cinema". Besides reflecting on the conditions that made possible this recent boom, this book elaborates on the new aesthetic tendencies of recent productions, as well as their relationships to earlier traditions of Brazilian cinema. Internationally acclaimed films, such as 'Central Station', 'Seven Days in September' and 'Orpheus', are analyzed alongside daringly experimental works, such as 'Chronically Unfeasible', 'Starry Sky' and 'Perfumed Ball'.
Motion pictures --- Film --- Brazil --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- History and criticism
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Sayles, John, --- Criticism and interpretation. --- Motion pictures. --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- History and criticism
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Even before Robert Flaherty released Nanook of the North in 1922, anthropologists were producing films about the lifeways of native peoples for a public audience, as well as for research and teaching. Ethnographic Film (1976) was one of the first books to provide a comprehensive introduction to this field of visual anthropology, and it quickly became the standard reference. In this new edition, Karl G. Heider thoroughly updates Ethnographic Film to reflect developments in the field over the three decades since its publication, focusing on the work of four seminal filmmakers—Jean Rouch, John Marshall, Robert Gardner, and Timothy Asch. He begins with an introduction to ethnographic film and a history of the medium. He then considers many attributes of ethnographic film, including the crucial need to present "whole acts," "whole bodies," "whole interactions," and "whole people" to preserve the integrity of the cultural context. Heider also discusses numerous aspects of making ethnographic films, from ethics and finances to technical considerations such as film versus video and preserving the filmed record. He concludes with a look at using ethnographic film in teaching.
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Art and motion pictures. --- Art in motion pictures. --- Artists in motion pictures. --- Women in motion pictures. --- 82:791.43 --- Literatuur en film --- 82:791.43 Literatuur en film --- Art and motion pictures --- Art in motion pictures --- Artists in motion pictures --- Women in motion pictures --- Motion pictures --- Art in moving-pictures --- Art and moving-pictures --- Motion pictures and art
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